Actualités Doctorant(e)s

L’exposition Graver le bois moderne : Paul-Émile Colin (1867-1949), de Pont-Aven à l’Art déco, présentée du 26 juin au 27 septembre 2026 au musée du château de Lunéville (Domaine départemental du Château de Lunéville), en partenariat avec l’Institut national d’histoire de l’art (INHA), est l’occasion d’évoquer la carrière du graveur Paul-Émile Colin lors de ces journées d'études.

The workshop critically examines the complexity of artistic production from the late 1960s onward that has commonly been grouped under the term “conceptual art,” bringing together established scholars and emerging researchers from European universities. While this field has been the subject of extensive scholarship, its history has often been framed around a limited number of canonical figures and relatively orthodox interpretations of their work. Building on our specific research interests—including feminist and subversive practices, experiences of migration, and material and cultural history—this workshop approaches conceptual art through a range of complementary perspectives, including archives, documentation, and exhibitions; global circulations and diasporas; political, social, and infrastructural stakes; memory and temporality; and categories such as race and gender. Rather than treating conceptual art as a closed historical episode, the event seeks to establish connections with contemporary societal issues that continue to shape artistic production today, thereby encouraging productive dialogue between historical research and present concerns. With the support of Kunsthistorisches Seminar Basel and Centre André-Chastel, Paris.

The 32nd International Colloquium of the Corpus Vitrearum will take place in Krakow from 6 to 9 July 2026, overlapping with the 13th International Forum for the Conservation and Technology of Historic Stained Glass of the Corpus Vitrearum from 8 to 10 July 2026 in Krakow.