- Numéro spécial dirigé par Jérémie Koering et Stephen J. Campbell
Andrea Mantegna: Making Art (History) presents the art of Mantegna as challenging the parameters of the history of art in the demands it makes upon historical interpretation, and explores the artist’s potentially transformative impact on the study of the early Renaissance.
- Features an array of new methodologies for the study of Mantegna and early Renaissance art;
- Critically addresses the question of iconography and “literary” art, as well as the politics of the monographic exhibition;
- Includes translations of two seminal accounts of the artist by Roberto Longhi and Daniel Arasse, key texts not previously available in English;
- Explores the Mantegna’s potentially transformative impact on the study of the early Renaissance.
- In Seach of Mantegna's Poetics : An Introduction, Stephen J. Campbell and Jérémie Koering
- Andrea Mantegna: Painting’s Mediality, Klaus Krüger
- Signing Mantegna, Daniel Arasse
- Mantegna the Grammarian, Guillaume Cassegrain
- Changing Forms: Mantegna’s Presence in the Camera Picta, Jérémie Koering
- Mantegna’s Camera Picta: Visuality and Pathos, Stephen J. Campbell
- The Griffin’s Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna’s ‘Trial of St. James’, Andreas Hauser
- Artifice and Stability in Late Mantegna, Andrea Bolland
- Mantegna’s Fictive Bronze ‘Judith’ and ‘Dido’: Beyond Exemplarity, Francis Fletcher